Nabbuzana is an ongoing research and open space performance project exploring the African traditional ritual hwambula aimed at liberating spirits confined by humans, providing them their rightful freedom to exist in their own world without serving the interests of humans.
The study digs into concepts of spiritual imprisonment, examining the nonhuman existence and the traditional social dynamics within Ugandan communities. At its core, the project seeks to shed light on the state of young spirits named Nabbuzana, yearning for freedom of play but subjected to enslavement to fulfill human interests. By investigating the intricate concepts of spiritual confinement, the project challenges conventional perspectives on colonialism, extending the discourse beyond human-to-human interactions to encompass human-to-non-human relationships
Aligned with the ongoing call for decolonization and critique of capitalistic practices, this artistic work translates into phases of colonialism and decolonization. The performance employs the powerful metaphors of shape-shifting and vivid portrayals of struggle to explore the emptiness in human consciousness and the perpetual pursuit of power over the vulnerable.
Nabbuzana as a project engages with the concept of repatriation and restitution, challenging traditional performance formats by embracing open spaces than structured theater stage settings. This innovative approach aims to broaden the reach engagement and impact of the performance, fostering a deeper connection with the audiences.
